Friday, February 29, 2008

FOG #4: Lio - Amoureux Solitaires

In 1980, Wanda de Vasconcelos is 18, a Portuguese exiled in Belgium and already better known as Lio, thanks to the immense success of her very first single, "Banana split". She asks Jacno and Elli Medeiros, who have recently disbanded their punk combo the Stinky Toys but still perform as a duo, to adapt in French their song "Lonely Lovers". They agree, Elli taking care of the lyrics, Jacno of the music (as composer, producer and arranger), and here we go: "Amoureux solitaire" will become a hit.
Despite some up and downs in her career, Lio still performs nowadays.

There are several reasons for choosing that particular song as our fourth installment of "Frenchies Oldies but Goodies".
  • You know very well that I can't resist lovely young brunettes, of course.
  • Lio's first hit seemed too obvious a choice: after all, there is a trope in pop music where ingenues sing lyrics full of double-entendre (think Gall and Gainsbourg "Les Sucettes a l'Anis"), and "Banana split", like "Les Sucettes...", is an ode to fellatio. I'm still surprised that Cars Can Be Blue haven't covered it yet.
  • The production is quite characteristic of Jacno's at that period. He just had a huge hit with the instrumental "Rectangle", inspired by his meeting with Kraftwerk in a train. And in a way, Jacno is the naughty godfather of contemporary french electronica...
  • The lyrics of "Amoureux Solitaires" have a melancholy and an accepted self-delusion that appeal to my twoth side.
  • Hey you, tell me you love me
    Even if it's a lie and we don't stand a chance
    Life's so sad, tell me you love me
    Every day's the same, I need some romance
    A bit of plastic beauty to erase the shadows under our eyes
    Some chemical pleasure for our brains too dull
    Let our lives look like a perfect movie
    Let's forget everything, ourselves included, what we really are
    Lonely lovers in a dead city
    Imaginary lovers, after all who cares
    Let our lives look like a perfect movie




    MP3s
    Lio: Amoureux Solitaires
    Elli Medeiros: Lonely lovers . 2007 cover of the Stinky Toys' original. Kinda stinks.
    Jacno:Rectangle. 2002 reprise of the 1980 classic.

Thursday, February 28, 2008

Last week in show

Wow I'm later than a white rabbit, so let's not wait and start our "Last week in show"...


Mon. 02/18

Killick & Tatsuya Nakatani - Flicker

Technically, I didn't attend that show, I was outside, sipping a PBR after having bought some cigs, and waiting for Caledonia to open their doors. Anyway, I'm utterly impervious to this kind of improv' on percussions (Nakatani) and cello (Killick), even if I recognize the talent and the technique, so no comment.


Wedge & Evangelicals & Headlights - Caledonia

Tommy Wedge, a native of Indiana, relocated to Athens in 1999. Last year, he released his solo album, "Heavensville", publicized as "a lush, ambient foray into territory first charted by bands such as Cocteau Twins and Xymox". Be warned however that Wedge doesn't sound anything like the Twins or Xymox at all, but more like Slowdive, Sigur Rós or even Radiohead. That brand of generic dream-pop makes me want to crawl up in a hole and die. At least, stay outside the venue till the end of the show, even if it was in the low 30es and I wasn't properly layered up. Quite a feat indeed.

The Evangelicals are a quartet - Josh Jones (vocals/guitar), Kyle Davis (bass/keyboards), Austin Stephens (drums), Todd Jackson (guitar) - from Norman, OK, who took way too long to set-up (but I was cold and therefore impatient). However, that was definitely worth the wait. I had purposely avoided reading or listening to anything about them as to not impair a first experience, and it was a good move. They completely blew me away with their sound, as if Flaming Lips were collaborating with Animal Collective on some Queen covers (cliché, I know, but to the point). They made a fairly extensive use of lights and fog machine, to the extent that at one point, you couldn't see the stage if you were more than a dozen feet away. The Evangelicals just released their second album, "The Evening Descends", a more complex follow-up to their 2006' "So Gone". Both are heartily recommended.

In comparison, the Headlights, a combo from Champaign, IL, paled a bit. Oh, not that this wasn't a good show, quite the contrary. Tristan Wraight, Erin Fein, Brett Sanderson, Nick Sanborn and John Owen were promoting "Some Racing, Some Stopping", the praiseworthy successor of "Kill Them With Kindness". It's a great album, but I had seen the Headlights earlier, so there was no surprise factor. Besides, I couldn't help remembering Tilly and the Wall, go figure...

Photos of the Monday shows are available at www.deadlydesign.com. Thanks Mike.

_____

Tue. 02/19

"Persepolis", the animation feature based on Satrapi's series of autobiographical comics, was done by 11PM. I underestimated the time I needed to catch Edgie Sedgwick at the Caledonia (I've been told it was really great dance-pop), but I had enough time for

Joe Lally - Caledonia

Former Fugazi bassist Joe Lally was performing in front of a sparse but extremely respectful crowd. Not a word could be heard from the audience during or even between tracks. Not a lot of cheering either, it felt like attending a concert of classical music in a church. Maybe it was, I've never been a fan of Fugazi, so Lally's presence wasn't some kind a religious experience for me. Interesting show, that taught me a new taunt seemingly popular among third graders: "You got cheese in your plate".
To summarize, it was very quiet, very grown-up, very cozy. But I'm still not ready for that yet.

_____

Thu. 02/21

Leaving ATH for ATL for once...

Spring Tigers - Smith Old Bar

It was only the third show of Spring Tigers (after a first one opening for the Lodger at Flicker last November, and a second one a few weeks later at Caledonia), but the first with the new configuration (Kriss on lead vocals and guitar, Brian on keyboards, Shane on second guitar, Eli on bass and Chase on drums). Eli and Chase are an ideal addition, they were really tight. All of them were tight. All in all, it was really great performance for the best brit-pop band this side of the pond. My only regret is that there were not enough backing vocals, but no doubt that'll change as the rest of the band gains more confidence: after all, it was only the second first show. The new mini-LP is just about to be ready, more news very very soon.


Silver Seas - Smith Old Bar


The next band of that evening was the Silver Seas, a quarter from Nashville, TN, who play some kind of neo-yacht rock formatted to please the whole family. Ideal for weddings, bar-mitzvahs or retirement parties. I couldn't tell if one of the songs they played was an original or a cover of Van Morrison, but it sure did sound a lot like "Jackie Wilson Said". And thankfully, we had to leave to go back to ATH.

_____

Fri. 02/22

Black Skies & Subrig Destroyer - Caledonia

What do you want ? Sometimes, the Caledonia Lounge is more of a social club than an actual venue. At least, it's how I take it. So, no comment either on Black Skies, a heavy metal trio (Kevin Clark on guitar/vocals, Michelle Temple on bass and Cameron Weeks on drums) from Chapel Hill, NC, nor on Subrig Destroyer, a heavy metal duo (Chris Holcombe on drums and Joel Martin on bass) from Athens, GA. Not that they were bad or anything, it's really not my cup of tea, so I cannot comment due to a lack of references.
However, nice creative chats with some friends.

_____

Sat. 02/23

A busy day, with an afternoon of beers and rugby (France-England in the Six Nations Tournament, we lost), that finished with

AUX2 - Flicker & Little Kings & Ciné

That was the second edition of a local art festival focused on electronic and experimental music. Going into the details of it would take far too much time, as the event was spread on three venues and mixed music, video, dance, art installation, and the best honey-pecan vegan cookies I ever tasted. Anyway, I only caught a bit of Black Swan Network (mostly OTC members), Pterodactyl Wingspan (mostly Dark Meat members), Maps and Transit that I really liked, and, er, that's about it. Eric Harris (of OTC fame) was also presenting the prototype of the Magic Tape Cube, a clever device that automatically composes your very own "pop"-song depending on some settings you select by turning some knobs. It works !
Overall, the whole event was kinda like a big family reunion, everybody who has ever been in any band in Athens was there, it was really heartwarming. Which was needed because of the sudden drop in temperature we experienced at sunset.


The Buddy System - Caledonia

Fifth show of TBS, and last one in town before a few weeks. No new animation this time, but a very smart trick. Ryan Lewis (guitar) had some last minute commitment that prevented him to play. Instead of canceling the show, he recorded himself on video with the help of his brother Mat, and the footage was shown on four displays stacked one on top of the other on stage.
The result was of course a virtual Ryan, scratching his beard between songs, and shredding during songs (with and without a bear mask). Quite original, very well done (even if a minor, temporary screw-up made our Ryan lose his head for the mac equivalent of a BSOD), and actually a really cool idea that deserves to be used again...
Pictures available at www.deadlydesigns.com, thanks Mike again...



OK, that's it. No MP3s this time, I'm way too late for that. Blame deadlines and cracks in the spatiotemporal continuum.

Wednesday, February 20, 2008

Message personnel


In 1973, Françoise Hardy was in studio with Michel Berger, recording "Message Personnel" and the eponymous single which immediately became a hit (and now the third installment of our FOG series).

I was only a toddler but this song was so popular that you just couldn't avoid it growing up. It is still played nowadays and can be considered as part of the French psyche: take "8 women" as an example. Anyway, the piece speaks for itself. The change in lexical register in the original French lyrics in particular always makes me melt.

I grew fond of that song, and it always pops back in mind at various intervals, depending obviously on the circumstances. After all, it is well known that standard side-effects of the condition of a pop lover are a taste for sugar, an addiction to predicaments and a tendency to drama-queenhood...



An english translation of the lyrics is available here.

Dolcezza, in bocca al lupo !
Rimaniamo in contatto, chiamami, mi manchi già
Mille baci...

Monday, February 18, 2008

I love me recordshop

Even today, in this age of internet and file sharing, my favorite way to discover new music is to frequent local record stores, the mom and pop kind of operations where you can bring your coffee and chat with the staff for hours at time. Here in Athens, we're blessed with Wuxtry, a true institution since 1976.

I stopped there a few days ago as Mike was working, to show off my shiny new hot pink cellphone and its Wired up ringtone (how tacky is that ?). Mike greeted me with a smile and a "you gonna love that" light in the eyes. And he was right.

Bubblegum Lemonade
According to his official website, Bubblegum Lemonade is the solo project of a Scot from Glasgow, Laz, and his 12-string Brickenbacker. After a first tune released last October on Matinée Hit Parade sampler, Laz gives us his new EP, "Ten Years Younger". That's an understatement: the first 10 seconds drove me instantly back 15 to 20 years ago, at the height of jangly pop, a time where as a teen I was discovering Jesus & Mary Chain, Lush, My Bloody Valentine, Stone Roses, the Velvet Underground and so many many more. You, in your mid-thirties, do you remember those afternoons of ecstasy and wine spent with friends listening to what would become the soundtrack of your lives ? Buy the EP now and get 12 minutes of youth back. And here's a piece of advice for you, the younger ones: get with your significant other(s), put "Ten Years Younger" and make yourselves some memories. This EP is a pure gem, layered vocals, catchy harmonies, subtle feedback, everything's there. I wouldn't be surprised if Laz and I grew up more or less at the same time and with more or less the same record collection...

And if 12 minutes are not enough, do not worry, rejoice ! Laz has a second project:

Strawberry Whiplash is Laz on instruments and Sandra on vocals. Our duo just released their first EP, "Who's in your dreams", once again on Matinée, and once again four little jewels that'll stuck with you all this summer. I know it's only February, but their "feeback wall of sunshine sound" and a song like "It rains on other planets" will disperse winter clouds and make flowers grow around your steps. Like for Bubblegum Lemonade, 10 seconds were enough for me to fall head over heels.

So yes, I'm a sucker for twee and jangle, but I do love heavier stuffs as well, which brings us to

A Place To Bury Strangers, publicized as "the loudest band in NYC". A trio from Brooklyn fronted by the ex-Skywave Oliver Ackermann, APTBS does indeed play some loud, pedal-intensive noisy-pop/shoegaze with some surf music overtones. You'll recognize some influences of Jesus & Mary Chain's "Psychocandy", MBV's "Feed Me With Your Kiss"/"You Made Me Realize", Boo Radleys' "Kaleidoscope", The Cure's "Pornography", I gonna stop there, you should have an idea by now. Not original by any means, but formidably efficient.

Mike also tried to push the reissue of Adorable, but nah. I thought they sucked back in the days (1992, 2 to 5 years too late, mates), I had forgotten about them, and no regret whatsoever. I'll stick to our Glasgow friends for the time being.

MP3s
Bubblegum Lemonade: Ten Years Younger
Strawberry Whiplash: It Rains On Other Planets
A Place To Bury Strangers: She Dies

Sunday, February 17, 2008

The "we never made it" week in shows.


Tue. 02/12
A: - Hey, what are you up to tonight ?
B: - Dunno, maybe gonna try to catch a show...
A: - Who's playing ?
B: - Dunno
A: - OK, gimme a call when you're downtown and let's meet.
B: - We have a plan.

Fact Not Fiction - Caledonia

Fact Not Fiction is a 4-dude, generic indie-rock band from Northeastern Georgia, with already two albums behind them. They are tight, they definitely know how to play, but the tunes are plain and insipid. I foresee success, in the tracks of Modern Skirts. Count me out.
MP3: Fact Not Fiction - Stars and UFO
B: - So, where are you ?
A: - Oh, I'm just calling it a night, actually. Stick around Flicker, Bell Hollow are playing, they're supposed to be good.
B: - OK, catch you later.
Bell Hollow - Flicker
Bell Hollow is an all-black clad quartet from NYC, currently touring with their sound engineer. As their outfits hint, they play some guitar-based cold-wave inspired dark music. I wasn't especially impressed by their performance: weak vocals (but we were warned not to pay too much attention to it), music too much in the lines of your generic mid/late-80es band, not enough punk-rock in the goth. They were headlining for Misfortune 500, which should give you an indication. Anyway, touring bands always need gas money, so I purchased their latest EP ("Sons of the Burgess Shale") and album ("Foxgloves"). Still mediocre on CD, eh, but it gives the urge to relisten to Vancouver's now defunct The Organ which is (was) far far superior in the same genre. Bah.
MP3: Bell Hollow : The Bottle tree

__________

Thu. 02/14
B: - Let's go see Blade Runner, there's the final cut at Cine.
A: - Can't do it. Let's meet at Go round 23:00 instead.
I found myself attending the 7PM showing (that was good...), which left me enough time to catch

Sex Robots - Caledonia
Sex Robots are an excellent punk trio from Saint Louis, MO. You may recognize Mario from the famous combo Bunnygrunt. Ah, there's something with the immediacy of pop-punk, the energy, that often leaves me with a smile on my face. And that was the case that night.
MP3: Sex Robots - Take Me Out Dancin'

So it was on springs that I went to Go. Unfortunately, I showed up at 23:15, too late for the electropop-duo of La Chansons, from ATL. Sad, because I'd been told that they were purely adorable (coming from Dan Geller, famous half of Ruby Isle and I'm the World Trade Center, that's a compliment to be trusted), and because I'll never have the answer to the question of whether they don't know enough French grammar or whether their name is a subversive statement. I stuck around for a little while, listening to the tunes of Twin Powers, before leaving for another dance-party at Little Kings where DJ Mahogany was spinning. So many parties, so little time, but always a good one when Mark is behind the tables. And he played some mean Jackson 5...

__________

Sat. 02/16
B: - Hey, there's a show in this new studio, round 21:00. Fancy coming ?
A: - Er, we'll see.
B: - OK, I'll call you.
The Glow studio was founded in January 2007 by Jesse Mangum and Chase Prince in Jacksonville, FL, and is best known for being where the Black Kids recorded their "Wizard of Ahhhs" EP. Jesse and Chase just relocated to Athens a few weeks ago, and were having their grand opening Saturday. Incidentally, Chase also recently joined Spring Tigers on drums, along with Eli (The Goons) on bass. To celebrate their new venue, Jesse and Chase set up a 4-band show:

Zeeg had already played when I showed up, so can't tell.

Manatella (Alissa, Lauren, Nate and Chris) hail from Jacksonville, FL. Chris recently moved to Jax from Gainesville, FL, home of our friends Oh Sanders for whom he still drums. Manatella just released their latest CD, "Fashionable Neighborhood", filled with jangly guitars. The balance that night was rather sub-par, and one of the guitar amps got possessed by the evil ghost of Eric Clapton and had to be bypassed, but being introduced to their music was still a good surprise.
MP3: Manatella - Eye Spy

The Shylights, from Atlanta, GA is the solo project of Josh Blanton. The night was warm on the deck, the beer was cold, I was with some friends that I don't have the luck to meet as often as I wish, so I missed it.

Lazerstar is Chase Capo, from Jax also, and also a solo project with a laptop, keyboards and guitar (occasionally). Imagine that a universe where Kevin Barnes came from Northern Florida and never met Bryan, Derek, Andy, Dottie or Jamie and you'll get a somehow good idea of what it's like: pop-fresh, electro-camp, irresistible. Highly recommended if you're into neon blue spandex bike shorts (or not).
MP3: Lazerstar - My myopic vision (last drop mix)

[Edit 02/18: moved files to fileden]

Thursday, February 14, 2008

Just because ...



...it's today, it's one of my favorite movies, and you know, whatever.
Baci a tutte.

Wednesday, February 13, 2008

FOG#2: les Calamités

FOG#2 : Les Calamités

New Frenchies Oldies but Goodies installment, spurred by a recent post on Skatterbrain...

Early 80es, three chicks from Beaune (a small town in Burgundy), Caroline Augier, Isabelle Petit and Odile Repolt decide to keep boredom at bay and to form a rock band. Les Calamités (the Calamities) are born. After placing a song on a compilation, the girls release a first 9-tracks album in 1984, "A bride abattue", which could be translated as either "Riding like the wind" or "All straps down". Distributed on New Rose in France, the album was released in the US on Posh Boy. About half the songs are covers (The Who, The Troggs, The Dovells, The Isley Brothers), but the original songs in French are cute and refreshing, which prompted many TV shows to invite them. A single was excerpted from the album, "Toutes les Nuits" ("Every Night"), about the predicament of having a sleepwalker for boyfriend. A second 4-track will be released in the same year.

College brought their career to an halt, with Caroline relocating to London (UK), until Isabelle and Odile reformed in 1987 for a last 45, "Les Vélomoteurs" (the Mopeds). More produced than their earlier songs, with a sleeve photographed by the at that time omnipresent Pierre et Gilles, the single will be a huge hit, topping in 13th place. The last one: cooled off by six months of relentless promotion, Odile and Isabelle throw the towel early 1988. A compilation, "C'est complet" will eventually be released in 1997. Rideau.

More info about the Calamités here.

An extract of the clip for "Les Vélomoteurs":


The clip of "Toutes les Nuits":


MP3:
Toutes les Nuits (my boyfriend is a sleepwalker)
Vélomoteurs (screw your car, I prefer mopeds that go papapapa)
Le Supermarché (no malls in France, so kids hang around supermarkets...)

[Edit 02/18: moved files to fileden]