FOG #4: Lio - Amoureux Solitaires

In 1980, Wanda de Vasconcelos is 18, a Portuguese exiled in Belgium and already better known as Lio, thanks to the immense success of her very first single, "Banana split". She asks Jacno and Elli Medeiros, who have recently disbanded their punk combo the Stinky Toys but still perform as a duo, to adapt in French their song "Lonely Lovers". They agree, Elli taking care of the lyrics, Jacno of the music (as composer, producer and arranger), and here we go: "Amoureux solitaire" will become a hit.
Despite some up and downs in her career, Lio still performs nowadays.

There are several reasons for choosing that particular song as our fourth installment of "Frenchies Oldies but Goodies".

• You know very well that I can't resist lovely young brunettes, of course.
  
• Lio's first hit seemed too obvious a choice: after all, there is a trope in pop music where ingenues sing lyrics full of double-entendre (think Gall and Gainsbourg "Les Sucettes a l'Anis"), and "Banana split", like "Les Sucettes...", is an ode to fellatio. I'm still surprised that Cars Can Be Blue haven't covered it yet.
  
• The production is quite characteristic of Jacno's at that period. He just had a huge hit with the instrumental "Rectangle", inspired by his meeting with Kraftwerk in a train. And in a way, Jacno is the naughty godfather of contemporary french electronica...
  
• The lyrics of "Amoureux Solitaires" have a melancholy and an accepted self-delusion that appeal to my twoth side.

Hey you, tell me you love me
Even if it's a lie and we don't stand a chance
Life's so sad, tell me you love me
Every day's the same, I need some romance
A bit of plastic beauty to erase the shadows under our eyes
Some chemical pleasure for our brains too dull
Let our lives look like a perfect movie
Let's forget everything, ourselves included, what we really are
Lonely lovers in a dead city
Imaginary lovers, after all who cares
Let our lives look like a perfect movie






MP3s
Lio: Amoureux Solitaires
Elli Medeiros: Lonely lovers . 2007 cover of the Stinky Toys' original. Kinda stinks.
Jacno:Rectangle. 2002 reprise of the 1980 classic.

Message personnel

In 1973, Françoise Hardy was in studio with Michel Berger, recording "Message Personnel" and the eponymous single which immediately became a hit (and now the third installment of our FOG series).

I was only a toddler but this song was so popular that you just couldn't avoid it growing up. It is still played nowadays and can be considered as part of the French psyche: take "8 women" as an example. Anyway, the piece speaks for itself. The change in lexical register in the original French lyrics in particular always makes me melt.

I grew fond of that song, and it always pops back in mind at various intervals, depending obviously on the circumstances. After all, it is well known that standard side-effects of the condition of a pop lover are a taste for sugar, an addiction to predicaments and a tendency to drama-queenhood...

An english translation of the lyrics is available here.

Dolcezza, in bocca al lupo !
Rimaniamo in contatto, chiamami, mi manchi già
Mille baci...

FOG#2: les Calamités

FOG#2 : Les Calamités

New Frenchies Oldies but Goodies installment, spurred by a recent post on Skatterbrain...

Early 80es, three chicks from Beaune (a small town in Burgundy), Caroline Augier, Isabelle Petit and Odile Repolt decide to keep boredom at bay and to form a rock band. Les Calamités (the Calamities) are born. After placing a song on a compilation, the girls release a first 9-tracks album in 1984, "A bride abattue", which could be translated as either "Riding like the wind" or "All straps down". Distributed on New Rose in France, the album was released in the US on Posh Boy. About half the songs are covers (The Who, The Troggs, The Dovells, The Isley Brothers), but the original songs in French are cute and refreshing, which prompted many TV shows to invite them. A single was excerpted from the album, "Toutes les Nuits" ("Every Night"), about the predicament of having a sleepwalker for boyfriend. A second 4-track will be released in the same year.

College brought their career to an halt, with Caroline relocating to London (UK), until Isabelle and Odile reformed in 1987 for a last 45, "Les Vélomoteurs" (the Mopeds). More produced than their earlier songs, with a sleeve photographed by the at that time omnipresent Pierre et Gilles, the single will be a huge hit, topping in 13th place. The last one: cooled off by six months of relentless promotion, Odile and Isabelle throw the towel early 1988. A compilation, "C'est complet" will eventually be released in 1997. Rideau.

More info about the Calamités here.

An extract of the clip for "Les Vélomoteurs":


The clip of "Toutes les Nuits":


MP3:
Toutes les Nuits (my boyfriend is a sleepwalker)
Vélomoteurs (screw your car, I prefer mopeds that go papapapa)
Le Supermarché (no malls in France, so kids hang around supermarkets...)

[Edit 02/18: moved files to fileden]

Frenchie Oldies #1

Mmh, according to google-analytics, I have a base readership of about 10 people, mostly from Georgia, US. Guys, I know who you are. I know as well you'll be kind enough to let me indulge in some educational nostalgia. So, let's start a new series, "Frenchies Oldies".

1981 was a pivotal year in France. Mitterrand was elected in May, the first socialist president of the Ve Republic. Hopes were high. Would times be a-changing ? What would come next ?

Then, that. Chagrin d'amour, "Chacun fait (c'qui lui plaît)" (which translates as "Everyone does (what they want)").
Written by Philippe Bourgoin and Gérard Presgurvic, performed by Gregory Ken (real name Jean-Pierre Trochu) and Valli Kligerman (a NYC native), remixed by Dominique Blanc-Francard, "Chacun fait" quickly became a hit. Remember that at that time, rap music wasn't popular at all in France, and you would have to wait 1982 and Grandmaster Flash's "The message" for rap to gain some mainstream visibility.

The plot is quite simple : 5:00AM, a lonesome alcoholic suffering from insomnia runs out of booze and cigarettes. He drives through Paris to get a last drink, ends up in a dive bar, where he picks up a hooker. Hotel, he doesn't come, she goes back home.

The story is narrated at the first-person (by the guy on the first three verses, by the girl on the last two, the fifth verse being an almost word-for-word repetition of the first one), with some interruptions by a third party on the mode of interview (or police questioning, as hinted by the video-clip ?) before the chorus, supposed to be playing on the radio. Partly psychological analysis, partly social commentary on a playful yet melancholy tone, "Chacun fait" illustrates a feeling of alienation, foreshadowing the individualism of the 80es. Of course, it's only now that I can understand the content(s) of this song. The lyrics were way over the head of the third grader I was at the time. But I knew some of them by heart, like many of my schoolmates, and they still resonates more than 25 years later...

Unfortunately, Chagrin d'Amour never really made it and remained a one-hit wonder. They released two albums in 1982 and 1984 which never achieved any real commercial success. Gregory Pek was the voice presenting the programs on Canal + in the 90es, a trendie channel at the time, until he passed away in 1996 from a throat cancer. Valli got a solo career in the 80es, before having her own radio show about the music industry. Presgurvic wrote songs for several French artists, composed soundtracks and wrote a musical based on Romeo and Juliet in 2001 (with another based on "Gone with the wind" in preparation) (God help us). Bourgoin also wrote songs for other artists in the 90es. "Chacun fait" remains a classic. It has even been recently covered in Japanese...

The clip (an extract of):

Chagrin D'amour - chacun fait ce qui lui plait - clip video

MP3: Chagrin d'Amour: Chacun fait (c'qui lui plaît).
MP3:Tomuya: Chacun fait (Lost in Paris).