Gimme coffee!

Don't be misled by the title of this post: I'm not talking about the chain of espresso bars that started in Ithaca, NY before expanding all over New York State (after all, they're really called "Gimme! Coffee"), but about the late Hot Corners, here in Athens, GA.

Yep, late. Hot Corners, this local institution providing coffee, treats and couches for thousands of students and night owls since 2003, closed its doors for good on Fri. 05/09. The very last cup of coffee was offered to yet another local institution, Gordon L., for his birthday. A photographic evidence is displayed (stolen from "Overseen in Athens", sorry and thanks guys), where you'll recognize the legendary trucker hat/glasses/beard. One can only assume that the beverage is indeed coffee, with roughly half a pint of creamers, as usual for GFL.

I'm still flummoxed by this sudden disappearance. I wasn't a regular, but it was neat to know that coffee could be found in Townietown/Tinytown at whatever hour of the night (during school months). Now, I'll have to run to Espresso Royale or Walker's to get a cup of joe or whatever sugary product to fight hypoglycemia, which is a good 3 blocks walk. No, I won't mention a third possibility, they don't need the publicity. Besides, where will I kick friends' collective ass at Scrabble, mmh ?

Moreover, Hot Corners used to be a cool place for small open-mic style shows. I'll always keep a very fond memory of a Titans of Filth show for Athfest2007 that drew a fairly impressive crowd in the "quiet room".

So, the information I could get points towards the walls being taken over by the Trappeze Pub, which opened just before Christmas 2007 in what used to be the "quiet room" mentioned above. Hardly a surprise, given the recent craze around the pub: a wide selection of exotic and expensive beers, a knowledgeable staff, semi-private booths and a patio of some sort... What else could you ask for ? Coffee ? As GFL summarized,

"the message they send is clear: in Townietown, get drunk or get lost"

Ecco.


BTW, it was indeed GFL's birthday last week-end, and a show was organized at the Caledonia Lounge: on the bill, Wedge, Entertainment, TJ Young, Fishboy and Spring Tigers.

• You already know what I think of Wedge, no comment.


• I was expecting the worse from Entertainment, mostly because of the blurb in the last flagpole:

  The Atlanta/Athens band plays dark, synth- and bass-heavy rock that's propulsive and layered, maybe a little like the lovechild that results from the late-night gropings of U2, Echo & the Bunnymen and The Cure.

  and this hilarious review of their latest album:

  Gender, the first full-length album from Athens band Entertainment, is a dark, dance-y amalgamation of all things '80s. The band melds post-punk, new wave, goth-rock and pop into something that sounds as if Bauhaus, Joy Division, (very early) U2, and Chrome were having an orgy.

  Wow. Once again, where's the indie police when you need it ? How did this piece ever got published ? Surprisingly, Entertainment are actually pretty good: they are old enough to have a first-hand knowledge of that musical period, they obviously love it and do a very decent job in recapturing it. I was fearing for some kind of Interpol-inspired rhythms, I was wrong, and I loved being wrong. I'm not ultra-keen on the Shaun Ryder like vocals on some tracks, but hey...


• TJ Young is a local stand-up comedian. Gordon, if you want, I dress up as a clown for your next birthday.


• Fishboy is a band I shouldn't have to introduce. They released one of the best concept/opera-rock albums of the decade, Albatross: How We Failed To Save The Lone Star State With The Power Of Rock And Roll. Go and listen to it now. And buy it. Twice.



• Spring Tigers recently lost a member: their keyboardist Brian called it quit. Fortunately, Shane was able to cover most of his parts while managing with his. Great job. Hopefully the band will find a replacement soon: let's say that the coming months are expected to be full of very exciting news for the Tigers.

That's it for now. I'll post some MP3s soon, when I'll be caffeinated.

Lost Post #1 - week 13

"Where did time go" was the motto of that week: following the lateness pattern initiated the previous week, I ended up missing most shows.

Tue. 03/04
I was pretty thrilled to hear that the HEAP (ex HEAP project) was playing at Caledonia, along Diet Rock Stars and Kenosha Kid. For once however, the show was early and on time, with HEAP opening, so they were already done by the time I showed up. Pity, for I'm a big fan. HEAP is fronted by Bryan J. Howard on bass and vocals, accompanied Jeff Rieter (bass), Ian Werden (drums), Jim Wilson aka Diego Catalan (percussions), Paul Kim (keyboards) and a horn trio (Jeff Crouch on trumpet, Marcus Gilley and Chris Costigan on sax). It's groovy in an indie-meets-funk way, it's roughly Athens response to Morphine, it's unique in our area, it's definitely worth many listens. An album is in preparation and should hopefully be available in June. A couple of shows will be announced before that. Stay tuned.

So I moved next door to the 40 Watt and caught Bomb The Music Industry!. BTMI! is a collective from Baldwin, NY, formed in 2004 around Jeff Rosenstock, with members as famous as Matt Kurz (the Matt Kurz one) or Jeff Tobias (We versus the Shark, Pegasuses XL). It's punk, with some horns: that's not sufficient to qualify it as ska, but that gives a nice Mano Negra feel to it... They ranted against our local institution, Flagpole, maybe because the journal nominated them for the Worst Band Name of 2007, category "OMG Get Excited!!!!". Anyway, that was the last night of their tour, they had to go back to their day jobs in Brooklyn, NY just after.

Pegasuses XL were headlining and celebrating the release of their first album, The Antiphon, on Ernest Jennings Record Co. Very efficient show, Becky "Cars Can Be Blue" Brooks on backing vocals on The Big Haunt. No running-around-the-block pre-show antics this time, just a big group hug, but the feeling was there.

I highly recommend you to lend an ear or two to Antiphon, for it is a very homogeneous album that you should find filed under electro-punk-rap. It doesn't sound as Add N to X-meets-Ladytron than their first EPs, it doesn't have the brutal impact The Midnight Aquarium had (I guess the surprise effect gets diluted with time), it is surprisingly subdued: at a time when twee kids listen to Bearsuit, one would expect Pegasuses to be more in your face. Take a song like Marathon Mansion from the Antiphon and compare it to Run the Gauntlet from their first EP: both are great, mind you, but my preference goes to the second. Still, go and get Antiphon, you won't be disappointed.

MP3s
Pegasuses XL - Run the Gauntlet
Pegasuses XL - Marathon Mansion
Pegasuses XL - The Big Haunt (that's the hit!)

Pictures of the 40W show are available on Mike White's site.
____

Wed. 03/05
A gazillion bands were playing at Little Kings that evening: Madeline, Heather Hines and Liza Sullivan (ex Flash to Bang Time), Ham 1, Nana Grizol, and we ended with the unfortunately too scarce Circulatory System. As usual for this kind of occasion, it's more of a family reunion than an actual evening of shows. Well, it is both, let's say.

____

Fri. 03/07
Second round for Liza backing up Heather Heyn (Vicariously Through Cats) at Flicker this time, with Andy From Denver headlining. I already gave reviews of Andy's shows, so I won't keep you longer. Andy put a very nice stunt by recording some of his between-songs banters, which gave a rather hilarious and surrealistic view of his mind's inner workings ("Oh, to fight the stress, I could just picture everybody naked. Not the guys, though, not the guys."). Andy is currently touring for 2-3 weeks with Keith John Adams in the East Coast/Midwest starting 03/20, so catch the mates while you can.

___

Sat. 03/08
If you have any idea of my whereabouts on that day, drop a line...


Photo by Mike "Deadly Designs" White

Back online, with Stars in my eyes...

Back online eventually, after some exhausting but fun weeks without regular internet connection. I missed several posts, prepared off-line but not quite finalized yet, so bear with me for a little while.

The big event of this past Easter week-end was a concert of Stars at the Georgia Theatre. Stars have a very special place in my indie-pop life. Just before I moved to the States, early 2001, my little brother gave me a couple of CDs of MP3s. On one of them was Nightsongs, Stars first LP, that I listened to regularly throughout that year (and still do, using it as an introduction).

Early 2002, I attended one of their gigs in a goth club NYC, and chatted with them afterwards. Overall, I must have seen them 6-7 times in the course of two years, sometimes in unfortunate but memorable circumstances - a CMJ where all their gear got stolen, another show in Rochester, NY where a botched promotion brought a total of 4 paying tickets, included my ride and myself and the drummer's aunt and uncle, a butt-freezing Valentine's day in Montreal, QC - sometimes in just plain awesome circumstances (with Broken Social Scene later that same CMJ).
Of course, we ended up sympathizing. It's through Stars that I discovered Metric (for a late-night show at the now defunct Coral Room, NYC and its mermaids behind the bar), BSS and consorts, it's through Stars that I met James Husband for the very first time (he was playing tambourine with them at the famous Stars/BSS CMJ show). I hadn't seen them since I moved to Athens: the last times they played in the area were in Atlanta, at times where I couldn't get a ride. So I was quite excited to learn they would play in town.

Early show, Pash (Washington DC) and Martin Royle (from Washington Social Club) were opening. I didn't think much of Pash, seeing Marty again was fun (he played regularly with Stars as soon as 2003), but all in all, I wasn't there for them. Stars then came on a stage covered with red roses that would later be thrown to the audience. They opened with two songs from their latest LP In Our Bedroom After The War: The Beginning After The End and The Night Starts Here (this one marred by some serious issues with the microKorg, Torquil would joke about not being in a folk band afterwise). They followed by Set Yourself On Fire from their previous opus, The Ghost Of Genova Heights, from IOBATW, and many more. Not much from their first works, but a completely new rendition of Going, Going, Gone. I was a tiny bit disappointed they didn't play Peak Hill, but it was a great show nevertheless.

Then, I should have run to the 40W where The Buddy System and Folklore were headlining a nth JammyJam Party. By the time Stars finished playing, I would have missed most of the TBS show anyway, so I hanged around backstage, greeted Dottie a happy birthday (Stars did so on stage earlier), and had long chats with Torquil, Chris, Amy and especially with Evan, about their growth from a four-piece bedroom-electro pop band from Ottawa/Brooklyn/Toronto to the internationally successful 6-piece they are today (Pat the drummer joined in 2003, and a 6th member was backing Amy on guitar), and their uncompromising attitude towards their career. Don't expect any Stars song in a commercial any time soon, they don't want that to happen, they want to keep their credibility intact. Stars are indie and proud of it, and I'm very proud of them. Good job guys, now I'll make sure not to wait 4 years before seeing you again.

MP3s
Going, Going, Gone (Nightsongs)
The Face (Dead Child Stars EP)(good luck finding this one...)
My Favorite Book (In Our Bedroom After The War) (dedicated to whom should have been here)
The Ghost Of Genova Heights (In Our Bedroom After The War)

Last week in show - Missed it !

Springtime is about to settle in Athens, at last, which tends to set me in a rather cozy mood. So, minimal review of last week's shows.


Thu.02/28 - 40 Watt

Showcase for Jimmy Hughes' (Folklore, Elf Power) bumbleBEAR label, back to activity after 5 years of slumber. I showed up far too late and missed most of the bands, but did catch Titans of Filth in their newest incarnation.
A few months ago, the band lost their multi-instrumentalist Emily Armond to her many other bands (Dark Meat, Mouser,Sea of Dogs) and their violonist Ann Rogers to her personal adventures. Since then, the Titans performed a couple of shows as a trio, before welcoming guitarist Spencer Rich among them. Replacing 40% for a band by yourself is no small feat, especially when the 40% in questions were so charming and talented. Nevertheless, Spencer did a fair job. I'm not completely convinced, however. The subtle balance the Titans had achieved and which materialized in some famous shows at New-York Popfest and at Hot Corners during Athfest 2007 will probably take more tweaking and practices to be fully restored. Still, the material is as good as ever, and I'm still fan.

Don't forget to lurk around the bumbleBEAR site, a true treasure trove of MP3s goodness.

MP3s:
Titans of Filth : Our Impending Announcement
Titans of Filth : Swinging Lovers

_____

Fri. 02/29 - Flicker

Following mostly the same pattern as the previous evening, I missed Everybody Everybody, the new band of Nate Mitchell (Cars Can Be Blue, Titans of Filth), Laura Swindall (Christopher's Liver), David Specht (Quiet Hooves), who were introducing Melissa Colbert, their new singer. From the reports I heard, the show was very dance-pop, fun and quite exciting, à la ESG. I know I should have hurried, but hey.
I was too busy drowning my regrets and celebrating my first day of Spring to really pay to the New Sound of Numbers the attention they deserved, but I liked what I heard. And the evening ended in yet another awesome dance party, but alas, my favorite partner was M.I.A. So I made more of a fool of myself on karaoke hero. I suck.

_____

Sat. 03/01 - Flicker / 40W

Talk about some confusion in the organization: the 40Watt was hosting Vic Chesnutt and Jonathan Richman, while Flicker was presenting Spring Tigers, another band named after a mall, and the Besties, more or less at the same time. Too many choices!
Spring Tigers followed their new motto "tighter, faster, louder" to the best effect. Really great show.
Vic Chesnutt was entrancing, but I spent most of the show fixing my nicotine levels and trying not to break in tears. I therefore missed the verbal altercation between Vic and a spectator that may or may have not been on his cell-phone during the show.
Despite Marisa's cold (she had to whisper before the show as to save a bit of voice for the actual performance), the Besties were faithful to their name and their reputation. It'd been too long since they last paid us a visit.
Jonathan Richman was as endearing as ever... He was again accompanied by drummer Tommy Larkins, and both were promoting the upcoming release of Jonathan's next album, "Because Her Beauty's Raw And Wild". Priceless, leaves me speechless.

MP3s
Besties: The Zombie Song
Jonathan Richman: Not So Much To Be Loved Than To Love

After such a song, there's nothing much to add...

[Update 03/07/2008: Mike White posted pictures of the 40W show. Go and check!]

Last week in show

Wow I'm later than a white rabbit, so let's not wait and start our "Last week in show"...


Mon. 02/18

Killick & Tatsuya Nakatani - Flicker

Technically, I didn't attend that show, I was outside, sipping a PBR after having bought some cigs, and waiting for Caledonia to open their doors. Anyway, I'm utterly impervious to this kind of improv' on percussions (Nakatani) and cello (Killick), even if I recognize the talent and the technique, so no comment.


Wedge & Evangelicals & Headlights - Caledonia

Tommy Wedge, a native of Indiana, relocated to Athens in 1999. Last year, he released his solo album, "Heavensville", publicized as "a lush, ambient foray into territory first charted by bands such as Cocteau Twins and Xymox". Be warned however that Wedge doesn't sound anything like the Twins or Xymox at all, but more like Slowdive, Sigur Rós or even Radiohead. That brand of generic dream-pop makes me want to crawl up in a hole and die. At least, stay outside the venue till the end of the show, even if it was in the low 30es and I wasn't properly layered up. Quite a feat indeed.

The Evangelicals are a quartet - Josh Jones (vocals/guitar), Kyle Davis (bass/keyboards), Austin Stephens (drums), Todd Jackson (guitar) - from Norman, OK, who took way too long to set-up (but I was cold and therefore impatient). However, that was definitely worth the wait. I had purposely avoided reading or listening to anything about them as to not impair a first experience, and it was a good move. They completely blew me away with their sound, as if Flaming Lips were collaborating with Animal Collective on some Queen covers (cliché, I know, but to the point). They made a fairly extensive use of lights and fog machine, to the extent that at one point, you couldn't see the stage if you were more than a dozen feet away. The Evangelicals just released their second album, "The Evening Descends", a more complex follow-up to their 2006' "So Gone". Both are heartily recommended.

In comparison, the Headlights, a combo from Champaign, IL, paled a bit. Oh, not that this wasn't a good show, quite the contrary. Tristan Wraight, Erin Fein, Brett Sanderson, Nick Sanborn and John Owen were promoting "Some Racing, Some Stopping", the praiseworthy successor of "Kill Them With Kindness". It's a great album, but I had seen the Headlights earlier, so there was no surprise factor. Besides, I couldn't help remembering Tilly and the Wall, go figure...

Photos of the Monday shows are available at www.deadlydesign.com. Thanks Mike.

_____

Tue. 02/19

"Persepolis", the animation feature based on Satrapi's series of autobiographical comics, was done by 11PM. I underestimated the time I needed to catch Edgie Sedgwick at the Caledonia (I've been told it was really great dance-pop), but I had enough time for

Joe Lally - Caledonia

Former Fugazi bassist Joe Lally was performing in front of a sparse but extremely respectful crowd. Not a word could be heard from the audience during or even between tracks. Not a lot of cheering either, it felt like attending a concert of classical music in a church. Maybe it was, I've never been a fan of Fugazi, so Lally's presence wasn't some kind a religious experience for me. Interesting show, that taught me a new taunt seemingly popular among third graders: "You got cheese in your plate".
To summarize, it was very quiet, very grown-up, very cozy. But I'm still not ready for that yet.

_____

Thu. 02/21

Leaving ATH for ATL for once...

Spring Tigers - Smith Old Bar

It was only the third show of Spring Tigers (after a first one opening for the Lodger at Flicker last November, and a second one a few weeks later at Caledonia), but the first with the new configuration (Kriss on lead vocals and guitar, Brian on keyboards, Shane on second guitar, Eli on bass and Chase on drums). Eli and Chase are an ideal addition, they were really tight. All of them were tight. All in all, it was really great performance for the best brit-pop band this side of the pond. My only regret is that there were not enough backing vocals, but no doubt that'll change as the rest of the band gains more confidence: after all, it was only the second first show. The new mini-LP is just about to be ready, more news very very soon.


Silver Seas - Smith Old Bar

The next band of that evening was the Silver Seas, a quarter from Nashville, TN, who play some kind of neo-yacht rock formatted to please the whole family. Ideal for weddings, bar-mitzvahs or retirement parties. I couldn't tell if one of the songs they played was an original or a cover of Van Morrison, but it sure did sound a lot like "Jackie Wilson Said". And thankfully, we had to leave to go back to ATH.

_____

Fri. 02/22

Black Skies & Subrig Destroyer - Caledonia

What do you want ? Sometimes, the Caledonia Lounge is more of a social club than an actual venue. At least, it's how I take it. So, no comment either on Black Skies, a heavy metal trio (Kevin Clark on guitar/vocals, Michelle Temple on bass and Cameron Weeks on drums) from Chapel Hill, NC, nor on Subrig Destroyer, a heavy metal duo (Chris Holcombe on drums and Joel Martin on bass) from Athens, GA. Not that they were bad or anything, it's really not my cup of tea, so I cannot comment due to a lack of references.
However, nice creative chats with some friends.

_____

Sat. 02/23

A busy day, with an afternoon of beers and rugby (France-England in the Six Nations Tournament, we lost), that finished with

AUX2 - Flicker & Little Kings & Ciné

That was the second edition of a local art festival focused on electronic and experimental music. Going into the details of it would take far too much time, as the event was spread on three venues and mixed music, video, dance, art installation, and the best honey-pecan vegan cookies I ever tasted. Anyway, I only caught a bit of Black Swan Network (mostly OTC members), Pterodactyl Wingspan (mostly Dark Meat members), Maps and Transit that I really liked, and, er, that's about it. Eric Harris (of OTC fame) was also presenting the prototype of the Magic Tape Cube, a clever device that automatically composes your very own "pop"-song depending on some settings you select by turning some knobs. It works !
Overall, the whole event was kinda like a big family reunion, everybody who has ever been in any band in Athens was there, it was really heartwarming. Which was needed because of the sudden drop in temperature we experienced at sunset.


The Buddy System - Caledonia

Fifth show of TBS, and last one in town before a few weeks. No new animation this time, but a very smart trick. Ryan Lewis (guitar) had some last minute commitment that prevented him to play. Instead of canceling the show, he recorded himself on video with the help of his brother Mat, and the footage was shown on four displays stacked one on top of the other on stage.
The result was of course a virtual Ryan, scratching his beard between songs, and shredding during songs (with and without a bear mask). Quite original, very well done (even if a minor, temporary screw-up made our Ryan lose his head for the mac equivalent of a BSOD), and actually a really cool idea that deserves to be used again...
Pictures available at www.deadlydesigns.com, thanks Mike again...



OK, that's it. No MP3s this time, I'm way too late for that. Blame deadlines and cracks in the spatiotemporal continuum.

The "we never made it" week in shows.

Tue. 02/12

A: - Hey, what are you up to tonight ?
B: - Dunno, maybe gonna try to catch a show...
A: - Who's playing ?
B: - Dunno
A: - OK, gimme a call when you're downtown and let's meet.
B: - We have a plan.

Fact Not Fiction - Caledonia
Fact Not Fiction is a 4-dude, generic indie-rock band from Northeastern Georgia, with already two albums behind them. They are tight, they definitely know how to play, but the tunes are plain and insipid. I foresee success, in the tracks of Modern Skirts. Count me out.
MP3: Fact Not Fiction - Stars and UFO

B: - So, where are you ?
A: - Oh, I'm just calling it a night, actually. Stick around Flicker, Bell Hollow are playing, they're supposed to be good.
B: - OK, catch you later.

Bell Hollow - Flicker
Bell Hollow is an all-black clad quartet from NYC, currently touring with their sound engineer. As their outfits hint, they play some guitar-based cold-wave inspired dark music. I wasn't especially impressed by their performance: weak vocals (but we were warned not to pay too much attention to it), music too much in the lines of your generic mid/late-80es band, not enough punk-rock in the goth. They were headlining for Misfortune 500, which should give you an indication. Anyway, touring bands always need gas money, so I purchased their latest EP ("Sons of the Burgess Shale") and album ("Foxgloves"). Still mediocre on CD, eh, but it gives the urge to relisten to Vancouver's now defunct The Organ which is (was) far far superior in the same genre. Bah.
MP3: Bell Hollow : The Bottle tree

__________

Thu. 02/14

B: - Let's go see Blade Runner, there's the final cut at Cine.
A: - Can't do it. Let's meet at Go round 23:00 instead.

I found myself attending the 7PM showing (that was good...), which left me enough time to catch

Sex Robots - Caledonia
Sex Robots are an excellent punk trio from Saint Louis, MO. You may recognize Mario from the famous combo Bunnygrunt. Ah, there's something with the immediacy of pop-punk, the energy, that often leaves me with a smile on my face. And that was the case that night.
MP3: Sex Robots - Take Me Out Dancin'

So it was on springs that I went to Go. Unfortunately, I showed up at 23:15, too late for the electropop-duo of La Chansons, from ATL. Sad, because I'd been told that they were purely adorable (coming from Dan Geller, famous half of Ruby Isle and I'm the World Trade Center, that's a compliment to be trusted), and because I'll never have the answer to the question of whether they don't know enough French grammar or whether their name is a subversive statement. I stuck around for a little while, listening to the tunes of Twin Powers, before leaving for another dance-party at Little Kings where DJ Mahogany was spinning. So many parties, so little time, but always a good one when Mark is behind the tables. And he played some mean Jackson 5...

__________

Sat. 02/16

B: - Hey, there's a show in this new studio, round 21:00. Fancy coming ?
A: - Er, we'll see.
B: - OK, I'll call you.

The Glow studio was founded in January 2007 by Jesse Mangum and Chase Prince in Jacksonville, FL, and is best known for being where the Black Kids recorded their "Wizard of Ahhhs" EP. Jesse and Chase just relocated to Athens a few weeks ago, and were having their grand opening Saturday. Incidentally, Chase also recently joined Spring Tigers on drums, along with Eli (The Goons) on bass. To celebrate their new venue, Jesse and Chase set up a 4-band show:

Zeeg had already played when I showed up, so can't tell.

Manatella (Alissa, Lauren, Nate and Chris) hail from Jacksonville, FL. Chris recently moved to Jax from Gainesville, FL, home of our friends Oh Sanders for whom he still drums. Manatella just released their latest CD, "Fashionable Neighborhood", filled with jangly guitars. The balance that night was rather sub-par, and one of the guitar amps got possessed by the evil ghost of Eric Clapton and had to be bypassed, but being introduced to their music was still a good surprise.
MP3: Manatella - Eye Spy

The Shylights, from Atlanta, GA is the solo project of Josh Blanton. The night was warm on the deck, the beer was cold, I was with some friends that I don't have the luck to meet as often as I wish, so I missed it.

Lazerstar is Chase Capo, from Jax also, and also a solo project with a laptop, keyboards and guitar (occasionally). Imagine that a universe where Kevin Barnes came from Northern Florida and never met Bryan, Derek, Andy, Dottie or Jamie and you'll get a somehow good idea of what it's like: pop-fresh, electro-camp, irresistible. Highly recommended if you're into neon blue spandex bike shorts (or not).
MP3: Lazerstar - My myopic vision (last drop mix)

[Edit 02/18: moved files to fileden]

This week-end in shows

Fri. 02/08

The Buddy System [40W]
Fifth show of our friends from the Buddy System, and a new animation ! TBS keep their CMYK trademark, but exit the cats, the cute monsters and evil horses. This time, Mat and Lauren's actual profiles appear face-to-face in their respective color, each pronouncing part of the lyrics. Musical departure as well from TBS' usual pop, as the song ends in a tribute to 2-tone (well, with some variations that you can guess). Excellent tune, quite original, one of their best so far. Moremoremore !


Dancer vs. Politician [Flicker]
Sanni Baumgärtner's Dancer vs Politician used to have two incarnations: one in Berlin (EU), and one in Athens, GA. Now that Sanni moved back to Athens for good, she recomposed the band's line up. The emotion is still intact, don't worry, you'll recognize the quiet and soothing ballads of "A City Half-Lost", a highly recommended album that has a very special place in my heart.
MP3: Mach Dich Los
MP3: Justin Fairborn


Sweet teeth [40W]
Sweet Teeth is a super band composed of members of Dark Meat, Long Legged Woman, among others. If you have never seen Sweet Teeth, picture some drony, hypnotic, improv' jam, with a million people on stage. It's actually better than you may fear.
MP3: Improvisation.


Mouser [40W]
I only caught a bit of Mouser, which is OK, as a little goes a long way. There are nights where the chaotic horn section really support the band, other nights where they don't. I can't tell which one was which, I wasn't very attentive.


Knyfe Hyts [40W]
More psychedelic heavy droning with Knyfe Hyts, a trio from Brooklyn, NY, who made me believe I was in the middle of some sun dance.

And then, I had to leave to attend some friends' dance party. And yes, I ruled the floor, thanks to the loveliest help possible. "Daft Punk is playing in my house, my house..."
__________

Sat. 02/09

There should be some kind of law or city ordinance for restaurants to have two waiting lists in parallel, one for kids under 24 (unaccompanied, I won't shoot myself in the foot more than necessary) and another for the rest of us normal people (put ironic smileys where suitable). Else, you'll end up waiting far too long before switching to another place, and you'll eventually be late for the first show of the evening:

Andy From Denver [Flicker]
Andy plays a very short set, so it's easy to miss most of it. I caught only three songs, about half the set, and that's a shame. It seems I missed some episode involving the famous Nintendo power-glove I mentioned in a previous post.

Miwa Gemini [Flicker]
Miwa Gemini, with Brian (on xylophone) and Sasha (her porcelain cat) delivered us her gentle, endearing ballads. Her cover of "Que sera sera" got the whole audience singing. Miwa's new album, "This Is How I Found You", will be released on Mar. 18. It definitely has a Southern feel to it, more so than on "Forgetful Ocean": in a way, it reminds me of Julee Cruise. You want it.
MP3: Crazy Over You
MP3: Forever For Never
MP3: Sad about Joe


Ham 1 [Flicker]
Athens' Ham 1 were headlining. Their shows remind me a family reunion where the cousins grab their instruments and start rocking out (supposing that on top of being great people, your cousins are also very talented musicians). Their first self-titled album had one of the best melancholy pop-folk song ever, "The Gift", that fortunately is now played live on a regular basis. The latest album, the excellent "The Captain's Table", was released last September on Orange Twin. Check the video of "Saluki", a track that would have fitted well on the second half of The Pixies' "Bossanova". A new album has already been recorded, and it should be available online some time next month. For now, there are no plan for the release of an actual CD, which definitely cuts costs, time and worries.
MP3: The Gift
MP3: Hare Lipped Bust
MP3: White Rat


Dark Meat / Face Off [40W]
Special evening at the 40W, organized like the day before by Mercer West. Take a member of the ever-expanding Dark Meat band/collective, pair him or her with another musician not from the band (a "civilian"), and give them 10 minutes. You can end up with some surprising moments. The last piece I managed to catch was disappointing, however, with some naive video made of old and new U.S. propaganda pieces overlaid by some droney keyboards and guitar that could have been interesting if the white-mask-wearing duo that was on stage had actually bothered writing a full tune, and not just an intro. Oh well.
__________

As a friend noticed, between Dark Meat and Ham 1, that was a butcher's delight night. That observation initiated another discussion: we already have several super-bands in Athens (Sweet Teeth, Supercluster...), all connected one way or another to Dark Meat. There's the need for a new one, The Vegan Option. Apply within.

[Edit 02/11: some spelling/grammar corrections]
[Edit 02/12: Go check out Mike White's photos of Friday evening !]

Super Ash Wednesday

No, I didn't vote (I'm not allowed to in the States), no I didnt' get to eat any bugnes, but I let the good times roll by attending a show in the Hidden Hamster, a famous DYI venue a few blocks away from my place.

Christopher's Liver opened the evening. I don't have to introduce them if you leave in Athens. If you don't, Christopher's Liver is a duo of very kind people, Christopher Ingham on guitar, Laura Swindall on drums, who play some very heartfelt folk-pop. It's lo-fi, it's a tad off-kilter at times, but that's just charming. The duo will soon take a break for a few months, as Christopher planned to spend some times in Lyon, FR. The bugnes' season will be over, but that shouldn't matter much, eh ?

Vytear is Jason Begin from Philadephia, PA, playing solo keyboards, samplers and loops for a fairly efficient cocktail of electro/drum and bass/industrial jungle, with the occasional reference to Aphex Twin. That kind of danceable electro is relatively uncommon in our neck of the woods, so that was a pleasant surprise. And Vytear produced the first album of our next band:

Pony Pants, a trio from Philadelphia, two brothers (Steve and Ryan Ellis) on guitars and Emily Kovach on vocals, with a drum machine for the beats. They play some kind of dance-punk with heavy metal riffs. Even if I'm slowly getting used to metal and its derivatives, it stills tend to get on my nerves rather quickly. However, it worked great with them.

Athens' Pegasuses XL closed the evening with their heavy synths and live beats, after a fairly long break (a couple of kids got robbed by gun-point on the other side the venue, which brought us police forces but got us rid of the polo-shirt parasites. Everything's fine, don't worry). The show was chaotic, with shoes and pants flying around, but that was exactly the point: they were full of energy, unashamed and unabashed, they were having lots of fun and it was quite communicative. Mercer West (Mouser, Quiet Hooves and many, many more...) even joined them for an harmonica jam, certainly an highlight of the evening. Remember that their EPs are available for donation download at Quote Unquote Records, and that their next record, "The Antiphon", will very soon be available on EJRC.

A side note as conclusion: DIY venues such as the Furtive Ferret provide a service to the indie community, it's a place where to discover new bands or support the ones you know already. The donations may be on a voluntary basis only, that doesn't mean it's free. It's not a keg party, it's a show. Don't look offended when you're asked for a spare buck, it helps the band to pay for gas. Kids nowadays...

MP3:
Christopher's Liver: Thank you for the nostalgia...
Vytear: Milli Vanilli Midi Moves
Vytear: Keyed
Pony Pants: Slay The Ego
Pony Pants: Haircutz
Pegasuses XL: Run The Gauntlet
Pegasuses XL: Every House Is Not A Homie

[Edit 02/08]: Spelling corrections.

Think about a happy place...

...and it may look like Athens, GA.

I mean, where else can you get a PBR and end up watching "A Midsummer Night's Dream" (the 1935 version) while listening to some indie-pop ?

Where else could you run into friends just past midnight, and find yourself in a restaurant attending a show from New Sound of Numbers ? That was Fri. 02/01 evening. Pretty good show, actually. Randy B. is a perfect addition to the band, bringing a more organic aspect to the music. And they sounded great !

And then, there are the local dens. Sat. 02/02 at Caledonia brought us The Buddy System, The Young Sinclairs and 63 Crayons.
Great show of TBS, as usual. With the upcoming free Jammy Jamm gig at the 40W next Friday (08/02), that'll be their fifth show, the third in barely two weeks. With such a busy schedule, they couldn't give us any new song this time, but they're working on one for Friday, the goal being to have a 20 min set for SXSW. The night's surprise was the introduction of the guitar hero controller to control some of the animations...
The Young Sinclairs, from Roenoke, VA, play some awesome 60es British invasion / psychedelic pop à la Kinks. They have already three albums behind them, none being distributed yet. And yet is the operational word here. The show itself was great, if you forgot some sound problems, the voices being far too in the foreground. And between us, I'm no big fan of the singer's voice. He must have heard this one fairly often, as one of their songs start with the lines "I know you don't like the way I sing my songs / But does it mean we cannot get along ?". Rest assured that we can, mate. Anyway, I can urge you enough to go and check them out. The lead guitar/singer used to drum for the next band:
63 Crayons broke their sampler as they were going on stage, which created yet more confusion soundwise, so much that I left relatively early. I liked what I heard, or could hear should I say. Yep, there are nights like these.

Or afternoons like today that remind you that in Athens, GA, springtime can be right around the corner. And before leaving, have a look on Saturday's pictures on Mike W.'s site. You'll get an idea of what you missed.

A week in gigs

I'm behind in posts, so let's wrap up this week in shows:


Mon., Jan. 21st - 40W
Tin Cup Prophette + Murder Mystery + Little Francis

Despite one of the coldest nights of the winter so far in Athens, and... a Monday (glad you follow), there was a non negligible audience (understand about 40, 50 people) for that show. I assume that the Hillary's laudative review of Murder Mystery in the Flagpole and Gordon's plug helped, or maybe was it just the presence of Tin Cup Prophette, or the debut of Little Francis who brought their friends as support.

I caught only a few songs of TCP, but was still impressed. Amanda Kapousouz had definitely a huge stage presence, huge like in 8.5 months pregnant. Nevertheless, that didn't prevent her to give us a nice soothing dose of her folksy trip-hop. Highly recommended to fans of Portishead.

Murder Mystery is a quartet (3 guys, one gal) from NYC, currently promoting their first album "Are you ready for the heartache cause here it comes". They play what would be lazily described as indie pop with slight country western overtones, or a musical equivalent of sherbet: it's refreshing, quite enjoyable, but not filling. The show itself was fairly OK. They lost some points for complaining about the lack of dancers (only a couple of people were actually dancing, while the rest of us were cosily sitting on their chair), and for trying to play games with the Athenians: "Athens is a hip town, right ? So you'll know what cover we're about to play...". FYI, that was an Orange Juice song, "Poor Old Soul" if I remember correctly. All in all, a good show, but nothing extraordinary. Their album is definitely worth listening a couple of times. Of the two MP3s linked with this post, "Honey Come Home" is the most representative.

Little Francis are four dudes, three on acoustic guitars and the last one banging on some stuffs. Don't ask me more, I was not paying attention and left in the middle of their song, it was cold.

MP3: Tin Cup Prophette:Going Numb
MP3: Tin Cup Prophette:Speak or Spill Down
MP3: Murder Mystery: Love Astronaut
MP3: Murder Mystery: Honey Come Home


Thu., Jan 24th - Flicker Bar
Joe Rowe's Coming Out Party

First show of Joe Rowe's (of The Glands and Casper and the Cookies fame) new band. Joe sings and plays keyboards, along with fellow Cookie Jim H. on drums, Eli on guitar and Adam on bass. Good solid indie-rock, great first show (sounding even better when you know they practiced only four times as a 4 piece), with a cover of Echo and the Bunnymen as a bonus ("Villiers Terrace"? "Do it clean"? I'm not sure. Correct me in the comments). Most (all) of the songs were actually written for Joe's other, semi-aborted projects, The Ice Caps and The Goons. Guys, congrats again, and we want another show very very soon!
MP3: JRCOP: Green Umbrella



Thu., Jan 24th - Caledonia Lounge
Attached Hands - Caledonia Social Club

Attached Hands are a duo playing live keyboards on pre-recorded samples, with some psychedelic animations in the background. Boards of Canada, anyone ?

Caledonia Social Club is a shoegaze jam experiment involving members of Local bands such as Maserati, A. Armada and others. Fairly efficient, but you definitely have to be in the mood. It took me 15 min. to realize that in fact, no, not that night...



Fri., Jan 25th - Go bar
The Buddy System - Pegasuses XL

The Go Bar was packed for the third Buddy System show, so packed that it was easier to brave the cold and watch the animations from the outside patio than trying to peep through the crowd. If you still don't know anything about the Buddy System, I can't really do anything for you: check some previous posts, and go and see their coming fourth show on Sat., Feb. 2nd at the Caledonia Lounge, where they'll support 63 Crayons and an exciting band of Roenoke, VA, The Young Sinclairs . Note that Friday was the premiere of the Buddies' new animation,"Nature's Tiny Realm".

Because of conflicting schedules, I missed Pegasuses XL. Shame, shame, shame on me.


Fri., Jan 25th - Farm 255
The Ice Cream Socialists - Casper and the Cookies

Because of conflicting schedules, I missed the Ice Cream Socialists, but frankly... Casper and the Cookies delivered us an strong, honest show, mostly consisting of songs from the "Optimist Club". After all, that show was more a live practice before their Japan tour than anything. No big surprises here, a good time for all the family.


And that's all for this week. Stay tuned for more goodies.

Gossips

And now for some random gossips:
Casper and the Cookies will play their last show Athens show of the winter on Fri. Jan 25th at Farm 255 (of all places...). They'll be hitting Japan like a power-pop tsunami on Feb. 5th for a 9-day tour promoting the release of "Optimist Club" on Waikiki records.

Talking about Cookies, on Thu. Jan. 24th, Flicker will host the premiere of a new band composed of Joe R. (guitar), Jim H. (drums) and two other guys whose name I forgot (sorry). The name of the band isn't cast in stone as I write this line, but expect something along the lines of "Joe Rowe's Coming-Out Party". Or maybe not.

Sat. 24th Andy from Denver / The Lolligags was short (4 songs for Andy, 5 for the Lolligags), but really excellent. Andy played a slightly more subdued set than the day before at Flicker, without suggestive dances nor powerglove, but endearing nevertheless. The Lolligags quickly won over the part of the audience who were only discovering them, and Leslie overcame her natural shyness to give us some sweet moves.

Andy will spent 21 days at the end of March, beginning of April on the road for a East Coast/ MidWest show with Keith John Adams. More about that when we'll get closer to the dates.

The Lolligags just spent the week-end recording two new songs with Jason NeSmith at his Bel-Air studio. "Best behavior" isn't fully mixed yet, but amateurs of English education will be pleased. "Carnival" is also still in draft, but we have a hit here already: think Siouxsie meets DM meets Goldfrapp meets the Cure, with a killer groove. 2008, the year of twoth, remember ? By far the most exciting song I've heard all year. Sorry, I can't post anything now, so go and visit their myspace page. Oh, and there are rumors of remixes...

And... That's all for today. Stay warm, I'll be near the carousel.

With a little help of my friends...

Some random news, mostly plugging friends.

The Lolligags are playing a free(?) french-colored show at Go Bar on Saturday, Jan. 19th. Opening will be Andy from Denver, the new "band" of Andy G., of M(arshmallow) Coast fame. "Band", because Andy plays solo, guitar, keyboards and sequencer. The show will be another Budding Helping Buddies production, which already brought us the Lodger, Spring Tigers, Black Kids, and "Control".

Mike W. from Deadly Designs posted pictures of the last PCC/Casper show (cf previous post).

Hillary B., half of the famous Team Brown, posted some videos of yesterday's Yo La Tengo show (this one, that one, and that later one).

"Return to Horse Mountain", the new track of the Buddy System, kicks ass, as the audience of their Saturday Jan. 12th show at the Georgia Theater could witness. It starts western, it ends kung-fu, there are evil horses and their dark overlord, I'm a fan. Lauren, marry me.

Update 01/17/2008:
Well, turns out that the Buddy System just posted the clip of "Return to Horse Mountain" on Youtube. Check their myspace page as well to listen to their new song, "Watermarx". Thanks guys !




(Flyer artwork by Eric H.)

Pub notes #2

Last Tuesday, I accompanied a friend to a famous DIY venue downtown, to catch Everybody Everybody, the new project of Nate CCBB Mitchell (on bass) and Laura Swindall from Christopher's Liver (on drums), and a third member whose name eludes me for the moment. Interesting rhythmic section, heavily influenced by Pylon, but disappointing show overall. Some ideas deserve a longer cooking time.

Maybe I'm getting old, but I'm certainly getting weary of the kids gathering over the keg and not really giving any hear to what's playing. The tiredness lowered my patience level as well, and I spent a good part of Wednesday ruminating.

However, that Wednesday saw an awesome gig at Caledonia: Poison Control Center were opening for Casper and the Cookies, which brought me back faith in humanity (or at least indie pop).

So it was a Wednesday, the total attendance was less than 30 people (among them, Vanessa B-H. and Michael L. from Pylon, and Bryan P. from the Late BP Helium and that other band, you see what I mean, whose new haircut a la Robyn Hitchcock was the subject of a 15-minute conversation). The name-dropping isn't entirely gratuitous, as it should help you get a feel of the atmosphere: far more mature than the day before, connoisseurs (I hate this word), in one word, the indie family.

PCC is a quartet (Patrick, Devin, Joe and Don) from Ames, IO. It was my second? third? show with the full band. They played Athens Popfest regularly, last year being a notable exception, but they were here to promote "A Collage of Impressions", their latest album released last September on Afternoon Records. Their live is an experience, just pure rock energy, guitar acrobatics, ripped pants, and usually a lot of people on stage for their now classical encore, "Magic Circle Symphony". Remember the Bunnygrunt cover last Popfest ? Voila.

The Cookies show was pretty amazing. Three brand new songs made their premiere, along classics from the Optimist Club, "Marcel Marsalis", and many more (14 songs total). The songs fitted really well: the upcoming album they are currently composing and recording should be awesome. No I'm not partial.

With evenings like that, I'm not ready to give up the scene. Thanks guys.

"Love, love is the answer, until you get cancer, then you're lying, dying, dead..."

(Props to Daytrotter for the PCC MP3)

(Dang. Just started and late already...)
So, last Friday saw me attending a Casper and the Cookies show at Club TSI, in Jacksonville, FL. The Caspers were playing with initially local and now worldwide new stars Black Kids, and as it was on a week-end night close to the break, I offered to do merch' for them, which they gracefully accepted. Thanks again for welcoming me, guys.

I like doing merch'. It's the best to meet people, see some shows, have nice chats, push product you care for. The setup at TSI isn't the best however, as the merch' table is close to the entrance, and you can't really see the stage at the other side of the club. Ecco. They usually have penny PBRs at the beginning of the evening though, so after a few you don't really mind.

The show was great, the house was packed. Casper mixed some old favorites ("Sid from Central Park", "Barking in the Garden of Ill Repute", "Hey Mr Superstar", among others) with some of their new songs such as "Marcel Marsalis", "Little Lady Larva", the now standard "Kiss me beneath the Christmas Tree" (don't forget to check the X-rated version on Daytrotter), and a surprise. And what a surprise ! The very last song was a cover of Pixies' "Hey", with Jim on lead vocals. Very impressive cover, the guitars were maybe a bit too shy, but Kay and Joe really nailed the rhythmic session.
The Black Kids played a short show, barely eight songs, but their repertoire counts only 11 songs, so... They were tight, far tighter than I ever saw them so far, which is hardly a surprise with the intense several-hours-a-day practice regimen they've been following for their upcoming UK tour. OK, the transitions are not really up to it, but that's easy to fix.
I'm glad for the Black Kids. I was at their Athens Popfest show, this famous Saturday early afternoon at Little Kings, right during the heatwave, where they blew the audience's mind. Nobody was expecting them, and they delivered the most danceable, clap-your-hands-and-cheer pop songs. The rest is history: they got picked up by some reputable blogs, then the buzz got sent to the NME, and there they went. Let's touch wood that they keep the spirits high and the heads cold.

Links:
Casper and the Cookies
Black Kids

Pub notes - #1

So, I was about to fall asleep in front of the Satyricon, the bug that nagged me was fixed, I figured it'd be cool to go back downtown and check these bands at Caledonia. Running into a friend while getting some cash, I ended up for a little while at Flicker, where as a Xmas present Still small Voice were playing. Even if I wasn't technically in the audience, too busy with cigs outside, I attended the last part of their show, and man, was that great. The sound was quite right, they had fun and it showed, they did one of their Costello's covers, and that was just perfect. But too short for me, as I came late. Sempre cosi.
So I went back to my initial destination, to catch Misfortune 500. I really loved their Chameleons cover on their album, I came just at the time where they were doing another ("Paper Tigers"), and that was a nice surprise. The rest of the set was however not that much of a surprise. I don't wanna start bitching for my first official post, so I'll stick to positive comments.
- They are skilled musicians, 98% of the time.
- The girls in the audience were very cute, but unfortunately far too young (even for me). Nicely dressed, though, in this indie/darkwave way that I'm fond of.
- They can nail their Chameleons. Almost. Pretty close anyway.
- They gonna be schmeck on for the Brooklyn scene revival in 4 of 5 years.

Ah, dammit, the Chameleons (Note to self: Wow, I would never have thought to check whether the Chameleons were still active...). I discovered them afterwards, as usual, something like in 1987-1988. They were definitely part of my last-year-of-high-school soundtrack. They came through a tape made by a friend of a friend, penultimate-year-of-high-school. That was the time where we'd do mix-tapes for any occasion. Argh, time flies...

Anyway, DON'T FALL !!!